Bienvenue sur AI Music Central. Toute la musique créée avec l'IA - Copyright 2023-2026 - F11 pour plein écran
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A melancholic indie rock track with tremolo guitars, steady bass, and vulnerable male vocals. The production features atmospheric reverb, subtle keyboard textures, and a slow-building arrangement that captures bittersweet nostalgia.
BPM : 100CFG : 7Tonalité : D minorMesure : 4/4EN
0:000:00
10%
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A melancholic indie rock track with tremolo guitars, steady bass, and vulnerable male vocals. The production features atmospheric reverb, subtle keyboard textures, and a slow-building arrangement that captures bittersweet nostalgia.
BPM : 80CFG : 7Tonalité : D minorMesure : 4/4EN
0:000:00
10%
🎵 Spiral of the Distant Sun
Genre: Berlin School Electronic / Progressive Electronic / Ambient Krautrock
Influenced by: Tangerine Dream (1970s–1980s era: Phaedra, Rubycon, Ricochet, Logos)
Core Sonic Signature
Hypnotic, slowly evolving soundscapes with no traditional verse-chorus structure. Instead: long-form, linear development.
Layered analog sequencer patterns – 8th or 16th note basslines that loop but gradually mutate in timbre and filter cutoff.
No acoustic drums – all percussion is electronic: Simmons pads, Roland TR-808 handclaps, electronic toms, and treated cymbal swells.
Melodic lead lines played on Mellotron (flute, strings, or choir voices) and Minimoog.
Atmospheric tape echo (Binson Echorec / Roland Space Echo) on almost every synth.
Key changes are rare – instead, chord pads shift in slow motion over a drone bass.
Texture over melody – use of white noise sweeps, phasers, flangers, and analog delay feedback.
Occasional wordless vocals – ethereal female or child’s voice treated as an instrument.
Band Member Roles (Classic Tangerine Dream setup)
Edgar Froese – Guitar (treated with delays & volume swells), Mellotron, Moog bass sequencer
Christopher Franke – Electronic percussion (Simmons drums, timpani-like toms), sequencer programming, ARP 2600
Peter Baumann – Minimoog leads, Prophet-5 pads, phaser-drenched electric piano
Title: Spiral of the Distant Sun
BPM: 112 (relaxed but driving – not dance tempo, but constant forward motion)
Time signature: 4/4 (with one 6/4 bar at 3:58)
Length: 5:00
Key: E minor (dark, open, resonant) – occasionally shift to G major for a moment of “hope”
BPM : 112CFG : 7Tonalité : E minorMesure : 4/4EN
0:000:00
10%
🎵 Spiral of the Distant Sun
Genre: Berlin School Electronic / Progressive Electronic / Ambient Krautrock
Influenced by: Tangerine Dream (1970s–1980s era: Phaedra, Rubycon, Ricochet, Logos)
Core Sonic Signature
Hypnotic, slowly evolving soundscapes with no traditional verse-chorus structure. Instead: long-form, linear development.
Layered analog sequencer patterns – 8th or 16th note basslines that loop but gradually mutate in timbre and filter cutoff.
No acoustic drums – all percussion is electronic: Simmons pads, Roland TR-808 handclaps, electronic toms, and treated cymbal swells.
Melodic lead lines played on Mellotron (flute, strings, or choir voices) and Minimoog.
Atmospheric tape echo (Binson Echorec / Roland Space Echo) on almost every synth.
Key changes are rare – instead, chord pads shift in slow motion over a drone bass.
Texture over melody – use of white noise sweeps, phasers, flangers, and analog delay feedback.
Occasional wordless vocals – ethereal female or child’s voice treated as an instrument.
Band Member Roles (Classic Tangerine Dream setup)
Edgar Froese – Guitar (treated with delays & volume swells), Mellotron, Moog bass sequencer
Christopher Franke – Electronic percussion (Simmons drums, timpani-like toms), sequencer programming, ARP 2600
Peter Baumann – Minimoog leads, Prophet-5 pads, phaser-drenched electric piano
Title: Spiral of the Distant Sun
BPM: 112 (relaxed but driving – not dance tempo, but constant forward motion)
Time signature: 4/4 (with one 6/4 bar at 3:58)
Length: 5:00
Key: E minor (dark, open, resonant) – occasionally shift to G major for a moment of “hope”
BPM : 112CFG : 7Tonalité : E minorMesure : 4/4EN
0:000:00
10%
🎵 Spiral of the Distant Sun
Genre: Berlin School Electronic / Progressive Electronic / Ambient Krautrock
Influenced by: Tangerine Dream (1970s–1980s era: Phaedra, Rubycon, Ricochet, Logos)
Core Sonic Signature
Hypnotic, slowly evolving soundscapes with no traditional verse-chorus structure. Instead: long-form, linear development.
Layered analog sequencer patterns – 8th or 16th note basslines that loop but gradually mutate in timbre and filter cutoff.
No acoustic drums – all percussion is electronic: Simmons pads, Roland TR-808 handclaps, electronic toms, and treated cymbal swells.
Melodic lead lines played on Mellotron (flute, strings, or choir voices) and Minimoog.
Atmospheric tape echo (Binson Echorec / Roland Space Echo) on almost every synth.
Key changes are rare – instead, chord pads shift in slow motion over a drone bass.
Texture over melody – use of white noise sweeps, phasers, flangers, and analog delay feedback.
Occasional wordless vocals – ethereal female or child’s voice treated as an instrument.
Band Member Roles (Classic Tangerine Dream setup)
Edgar Froese – Guitar (treated with delays & volume swells), Mellotron, Moog bass sequencer
Christopher Franke – Electronic percussion (Simmons drums, timpani-like toms), sequencer programming, ARP 2600
Peter Baumann – Minimoog leads, Prophet-5 pads, phaser-drenched electric piano
Title: Spiral of the Distant Sun
BPM: 112 (relaxed but driving – not dance tempo, but constant forward motion)
Time signature: 4/4 (with one 6/4 bar at 3:58)
Length: 5:00
Key: E minor (dark, open, resonant) – occasionally shift to G major for a moment of “hope”
BPM : 112CFG : 7Tonalité : E minorMesure : 4/4EN
0:000:00
10%
🎵 Spiral of the Distant Sun
Genre: Berlin School Electronic / Progressive Electronic / Ambient Krautrock
Influenced by: Tangerine Dream (1970s–1980s era: Phaedra, Rubycon, Ricochet, Logos)
Core Sonic Signature
Hypnotic, slowly evolving soundscapes with no traditional verse-chorus structure. Instead: long-form, linear development.
Layered analog sequencer patterns – 8th or 16th note basslines that loop but gradually mutate in timbre and filter cutoff.
No acoustic drums – all percussion is electronic: Simmons pads, Roland TR-808 handclaps, electronic toms, and treated cymbal swells.
Melodic lead lines played on Mellotron (flute, strings, or choir voices) and Minimoog.
Atmospheric tape echo (Binson Echorec / Roland Space Echo) on almost every synth.
Key changes are rare – instead, chord pads shift in slow motion over a drone bass.
Texture over melody – use of white noise sweeps, phasers, flangers, and analog delay feedback.
Occasional wordless vocals – ethereal female or child’s voice treated as an instrument.
Band Member Roles (Classic Tangerine Dream setup)
Edgar Froese – Guitar (treated with delays & volume swells), Mellotron, Moog bass sequencer
Christopher Franke – Electronic percussion (Simmons drums, timpani-like toms), sequencer programming, ARP 2600
Peter Baumann – Minimoog leads, Prophet-5 pads, phaser-drenched electric piano
Title: Spiral of the Distant Sun
BPM: 112 (relaxed but driving – not dance tempo, but constant forward motion)
Time signature: 4/4 (with one 6/4 bar at 3:58)
Length: 5:00
Key: E minor (dark, open, resonant) – occasionally shift to G major for a moment of “hope”
BPM : 112CFG : 7Tonalité : E minorMesure : 4/4EN
0:000:00
10%
🎵 Somewhere (Sevdaliza)
A raw, lo-fi bedroom shoegaze track recorded with everything pushed through distortion and noise. A wall of fuzzy electric guitars tuned a half-midoustled down, playing slow, droning power chords through stacked fuzz chords or a reverse-reverb effect. This wall of sound is anchored by a simple root-note bassline and a steady, almost monotone drum beat that feels like an accident transitioning from the two bombs. A second guitar adds melodic point while also buried in the mix's hum drain. The vocals are mixed far behind the forefront: a genderless, whispery whine that sustains into static-like tones, treated as another instrument rather than an original vocal line.
BPM : 160CFG : 7.5Tonalité : D minorMesure : 4/4EN
0:000:00
10%
🎵 Angel (Aerosmith)
1970's rock song with a male rock singer. Classic 4 man Rock band. One Bass guitar, drums, Two Fender Strat's. Song starts quietly and slow gradually reaching a screaming high pitch for the high note. Then slowing down into a nice instrumental. A male and female singer sing the chorus.
BPM : 80CFG : 5.5Tonalité : C majorMesure : 4/4EN
0:000:00
10%
🎵 Stairway to Heaven
1970's rock song with a male rock singer. Classic 4 man Rock band. One Bass guitar, drums, Two Fender Strat's. Song starts quietly and slow gradually reaching a screaming high pitch for the high note. Then slowing down into a nice instrumental. A male and female singer sing the chorus.
BPM : 80CFG : 5Tonalité : D majorMesure : 4/4EN
0:000:00
10%
🎵 Stairway to Heaven
1970's rock song with a male rock singer. Classic 4 man Rock band. One Bass guitar, drums, Two Fender Strat's. Song starts quietly and slow gradually reaching a screaming high pitch for the high note. Then slowing down into a nice instrumental. A male and female singer sing the chorus.
